
"One of
the great
contemporary folk voices of Ireland"
JIMMY
McCARTHY
buy
Song
Ablaze
On this
album, I’ve tried to trace
a path between Ireland,
Scotland and
North America with particular reference
to the old timey music of the Appalachian
mountains,
whose early settlers were mainly Irish and Scots.
The
songs
range
from traditional Irish and
Traditional American to the works of contemporary writers, again, from
both
sides of the Atlantic.
One centrepiece is a trilogy of songs written
by Jimmy McCarthy. The keynote of all
three is people and places in Cork
and Kerry. Coupled with this, you’ll
find songs from Gillian Welch and Tom Waits with themes and imagery
very
sympathetic, I feel, to the Irish psyche.
Most
of
the
recording came about during a rousing
three day “live” studio session in Scotland.
With the intrepid cast of Chris Catriona,
David and I assembled, we nailed most of the songs in the first or
second
take. A sublime experience – and great
fun too!
Through
the
wonders of modern technology,
additional recordings took place in West Kerry, California
and Nashville. A fact that still baffles me is that Pete
Grant sent his dobro and banjo parts to me from San Francisco – via e-mail! I actually received them at the internet
café
in Dingle!!
Tim
O’Brien on the other hand, sent me all his wonderful vocal harmony
parts plus a
bonus – a mandolin solo that I hadn’t even asked for!
It’s in there and it’s great.
I
owe a huge debt of gratitude to all
the musicians and singers on this album. I
am truly blessed and inspired by them. Through
their
combined efforts, the many assorted strands
that make up
this recording have knitted together to form on constant sweeping sound.
Tommy
O'Sullivan
FEATURING:
Tim
O'Brien USA Grammy Award Winner 2006
Chris
Stout Shetland-come on!
Catriona
McKay SCO
David
Robertson SCO
James
Blennerhasset IRL
Eilís
Kennedy IRL
Pete
Grant USA
TOTAL
RUNNING
TIME: 47.14
©TOMMY
O'SULLIVAN
2006
Tracks
1 ONE MORE DOLLAR 4.39
2 THE CONTENDER 4.42
3 FIDDLE AND BOW 3.50
4 MAKE
ME
BELIEVE 4.41
5 SHE
MOVED
THROUGH THE FAIR 5.01
6 THE PEOPLE OF WEST
CORK
AND KERRY 6.09
7 NEIDÍN 4.03
8 TIMES 4.56
9 INHIBITIONS 4.09
10 SHIVER ME TIMBERS 5.00
THE
PLAYERS
Tim
O'Brien: Harmony vocals/mandoline
Chris
Stout: Fiddle/viola
Catriona
McKay: Piano/harp
David
Robertson: Percussion
James
Blennerhasset: Double bass
Eilís
Kennedy: Harmony vocals
Pete
Grant: Dobro/5 string banjo
SHIVER
ME TIMBERS
(Tom
Waits © Fifth Floor Music Inc. ASCAP)
A
little
known fact surrounding Tom Waits is that he lived in Cahirciveen
Co.
Kerry for a short time in the 1970’s. He
went there to write songs amid the tranquil Kerry coastline. He later returned to Kerry for his honeymoon
in Tralee. With
it’s
rich sea imagery, I occasionally wonder, could
this song have
been written around that time.
TOMMY
VOCAL/GUITAR
CATRIONA
PIANO
CHRIS
FIDDLE/VIOLA
JAMES
DOUBLE BASS
ONE
MORE DOLLAR
(Gillian
Welch/David Rawlings © Irvine Music inc/Say Uncle Music/Craclin'
Music)
TOMMY
VOCAL/GUITAR
TIM
HARMONY VOCAL
EILÍS
HARMONY VOCAL
CHRIS
FIDDLE
CATRIONA
PIANO
JAMES
DOUBLE BASS
This
american song of migration brings to mind the parallel experience of
the many irish who emigrated in the late
1950's. They too sent money home and helped to prop up the irish
economy during a time of extreme hardship.
RECORDED
AT Castlesound Studio, Scotland
ENGINEER:
Stuart Hamilton
Scragg
Hill Studio, Dingle,
Ireland
ENGINEER:
Steve Coulter
The
Butcher Shop, Nashville
ENGINEER:
David Ferguson
Hitsville
Auburn, California
ENGINEER:
Pete Grant
MIXED
AND MASTERED BY Stuart Hamilton
PRODUCED
BY Chris Stout and Tommy O'Sullivan
ARRANGED
BY Chris, Tommy and Catriona
WEBSITE www.tommyosullivan.net
CONTACT tommy@tommyosullivan.net
Tel:
+353 669151149/+353 863792499
SPECIAL
THANKS
TO
Donal
Murphy, Mike O'Shea, Ursula
Flannery, Joe Gerhard,
Jon
Sanders, Matt Cranitch, Paddy
Keenan, Derek Hickey,
Michelle
Flannery, Jim Kane, Philip
King, Sean Granville,
Mazz
O'Flaherty, John Minihan and all
the staff at the regular Wed. session in
John
Benny Moriarty's, Dingle
PHOTOGRAPHY John Minihan
*Studio
photos by:
Catriona McKay, Chris Stout
DESIGN:
ELLEN
BRAENDE
WEB
Design: bil
THE
CONTENDER
(Jimmy
McCarthy © Universal Music Pub. UK)
TOMMY
VOCAL/GUITAR
CATRIONA
PIANO
CHRIS
FIDDLE/VIOLA
JAMES
DOUBLE BASS
The
first of the Jimmy McCarthy trilogy focuses on the life of Jack Doyle
from Cork. Nicknamed "The Gorgeous Gael", he was a boxer and
singer. His ambition was to fight like Jack Dempsey and sing like
John McCormack. Throught his skill and charisma he achieved world
fame but died a pauper.
SHE
MOVED THROUGH THE FAIR Traditional
Simply one
of the most beautiful and best loved traditional Irish songs of all
time.
TOMMY
VOCAL/GUITAR
CHRIS
VIOLA
CATRIONA
HARP
EILÍS
HARMONY VOCAL
My
young love said to me my mother won't mind
And
my father won't slight you,
For
your lack of kind
Then
she stepped away from me and this she did say,
It
will not be long love till the next market day
She
stepped away from me and she moved through the fair
And
fondly I watched her move here and move there,
And
then she went homeward with one star awake,
As
the swan in the evening moves over the lake
Last
night
she came to me she came softly in
So
softly she came that her feet made no din
Then
she stepped away from me and this she did say,
It
will not be long now till our wedding day
THE
PEOPLE OF WEST CORK AND KERRY (Jimmy McCarthy © Universal
Music Pub. UK)
TOMMY
VOCAL
TIM
HARMONY VOCAL
CATRIONA
PIANO
CHRIS
VIOLA
PETE
DOBRO
Late
one night, in the appropriate setting of Kenmare, I first heard Jimmy
McCarthy
sing this song. At the time, he explained
to me that this was part of a work in progress – The second in a
trilogy of
songs honouring Cork
and Kerry – The First being Neidin (Irish for Kenmare).
NEIDIN
(Jimmy McCarthy © Universal Music Pub. UK)
TOMMY
VOCAL/GUITAR
CATRIONA
PIANO/HARP
CHRIS
FIDDLE/VIOLA
JAMES
DOUBLE BASS
Dedicated
to
my brother John who lives in Perth, Australia.
TIMES,
Traditional
Plucked
straight from the repertoire of Mick Daly from Cork who at one time or another has
been a
member of 4 men and a dog, any old time and the Lee Valley String Band
Times
are not what they used to be
There's
trouble all the time
And
no one knows the inner grief
of
my poor troubled mind
Oft
times I've suffered for your sake
It's
you I love most dear
I
wish that I could go with you
or
you might tarry here
I
wish my heart was made of glass
In it you
might behold
Your
name in secret I would writein
letters of fine gold
Yes
your name in secret I would write
Believe
in what I say
Cause
you are the one I love the best
until
my dying day
So
give to me your heart my dear
And
love in every vein
I
swear I'll lead a single life
till
you come back again
TOMMY
VOCAL/GUITAR
TIM
VOCAL/MANDOLINE
PETE
DOBRO
JAMES
DOUBLE BASS
DAVID
PERCUSSION
MAKE
ME BELIEVE (Tommy O'Sullivan © IMRO/MCPS)
TOMMY
VOCAL/GUITAR
TIM
HARMONY VOCAL
CATRIONA
PIANO
CHRIS
FIDDLE/VIOLA
JAMES
DOUBLE BASS
DEDICATED
TO
MY TWO BOYS AARON AND RIAN.
When
I
was a child I was new to the world,
I
was only beginning believed all I heard
Now
a world weary man is tired of the lies
Tired
of the hatred greed and genocide
Make
me believe, make me believe
Like
I'm only beginning, make me believe
In
the world that we live there must be a way
To
keep all the anger and hunger at bay,
Feed
all the children close down the wars
Burn
all the weapons and stop keeping score
Make
me believe, make me believe
In
the world that we live, make me believe
There's
a reason why we live that's more than routine
There's
spirit that's lost that we can redeem
There's
a cry in my heart, screaming right out loud
There's
a song to be heard it's the voice of humanity
There's
a thread that holds us we're part of a chain
We're
born of the earth and there we'll remain
We
must all sway together like leaves on a tree
Like
the sun in the morning make me believe
Make
me believe, make me believe
Like
the sun in the morning, make me believe
Make
me believe, make me believe
Like
the sun in the morning, make me believe
FIDDLE
AND A BOW Traditional
West
Kerry resident Philip King sings and unaccompanied version of this and
that’s
how I start it. I eventually learned the
words (and changed a few) from Eilis Kennedy.
Heard
my neighbour's rooster crow,
Early
in the day,
Heard
his axe beyond the wood
And
now I'm bound away.
For
some they love the city life
Some
they crave the town,
Me
I'm bound for the lonesome woods
That's
where I'll settle down
Fiddle
and bow and a firelight low,
You
can hear that lonesome sound,
I'll
leave behind my trouble in mind
And
go the whole world round
The
red squirrel goes when the grey squirrel comes
The
eagle nests alone,
A
100 miles from the wagon trail,
Is
where I'll build my home
I've
seen the old man whittling wood,
I've
seen the streets of town,
I'm
gonna pack my goods for the lonesome woods
And
there I'll lay me down
TOMMY
VOCAL/GUITAR
CHRIS
FIDDLE
PETE
BANJO
DAVID
PERCUSSION
JAMES
DOUBLE BASS
TIM
HARMONY VOCALS
INHIBITIONS
(Tommy
O'Sullivan © IMRO/MCPS)
TOMMY
VOCAL/GUITAR
CATRIONA
PIANO
CHRIS
FIDDLE
DAVID
PERCUSSION
JAMES
DOUBLE BASS
I
wrote the lyrics to this song many years ago but only added the melody
quite
recently. It seems to have evolved into
something approaching jazz – Sure why not!
Why
can’t
you say what you mean,
Speak
your mind and just come clean
Why
can’t you spell it all out clear,
Release
yourself shoot down your fears
Your
inhibitions get in your way,
You've
locked and tied your thoughts and dreams away
That
man is making you look a fool
You
are his clown to ridicule,
Why
can't you fight back with a grin
Turn
his joke right round on him
Homeward
bound
you'll think of what you could say,
You'd
like to turn back but he's gone away
Your
inhibitions
get in your way,
You've
locked and tied your thoughts and dreams away
That
lady there she looks so fine,
Relaxing
talking drinking wine,
She
seems so far removed from you,
You're
worried wondering what to do
You
would approach her but you know,
You're
insecure and that would show
And
there's
a whole wide world to see,
So
many many places that you'd rather be,
You'd
like to just get up and go,
But
your gut reaction comes too slow
Your
inhibitions
get in your way,
You've
locked and tied your thoughts and dreams away,
Your
inhibitions get in your way,
You'd
like to turn back but he's gone away,
Your
inhibitions get in your way,
You're
insecure and you move too slow,
Your
inhibitions get in your way,
You've
locked and tied your thoughts and dreams away
|